Huh? What? • #MerrillNisker • Ohh romantic • #FuckThePainAway • #TeachesOfPeaches • #DeborahHarry • Is she also namechecking #ChrissieHynde’s fundament? • #Peaches • uhhhhhh! • #AndyGriffithShow footage video • #LostinTranslation • 2000 strip club scene! (Stay in School message) • Huh? What? • Who is Peaches? • And why is she sucking on Deborah Harry’s titties? • https://youtu.be/GmFp0I8AZqw
• Sucking on my titties like you wanted me
Calling me, all the time like Blondie
Check out my Chrissy behind
It’s fine all of the time
Like sex on the beaches
What else is in the teaches of peaches? Huh? What?”
Music and Lyrics by • Peaches (2000)
Review of Sontag: Her Life by Benjamin Moser. The Irish Times, 5 October 2019, p. 22.
In 1965, Susan Sontag — fresh from publishing her landmark essay, “Notes on ‘Camp’” — was whisked away in a limousine to a hip nightclub notorious for its strict door policy. A member of her party whispered something in the bouncer’s ear, whereupon they were ushered in ahead of the lengthy queue. “I said, ‘We’re with Susan Sontag,’” her friend later confided, when she asked how he had worked his magic.
The young woman, still only in her early 30s, was astonished to discover that her name had become an “open sesame” to high society. Despite being filmed by Andy Warhol and dining out with Jacqueline Kennedy, the budding intellectual superstar felt like a figment of her own imagination. This discrepancy between the “real me” and the “self-for-others” lies at the heart of…
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dogsmeat 